Today's Highland Dress is distinctive, smart, martial, formal and known world wide as Scotland's national costume.

The Highlander of old (pre-1746) would often have worn the feileadh mhor , Gaelic for a large piece of woollen tartan material wrapped round the body, belted at the waist and pinned over the shoulder. It no doubt also served as a blanket while campaigning - the word 'plaid' is the Gaelic plaide meaning blanket. A sensible garment which could give warmth or be worn lose with sword arm free. Origins may lie with the ancient Roman or Celtic tunic. In fact both recent Highlanders and ancient Celts also worn tight trousers - truis . These were particularly popular on horseback!

Exactly when the fealeadh beg (filibeg), the tailored version worn from waist to knee, came into existence is open to debate. One suggestion is that an Englishman in charge of an iron smelter at Invergarry around 1730, Thomas Rawlinson, suggested that his workforce would fare better at their work if the dispensed with the upper part of their garment and worn what we would describe as a kilt. The word 'kilt' itself, although not Gaelic, is probably older. A Scandinavian or old English root from a verb meaning 'to hitch up and fold a garment' seems most likely.

Today's kilt can be worn, particularly by pipers, with a plaid - a long piece of tartan wrapped round the upper body which, along with the kilt, are a modern version of the full feileadh mor of past times. Worn with jacket or doublet, sporran, Scottish brogue shoes, hose and sgian dubh.

After the battle of Culloden in 1746, traditional Highland Dress was banned along with tartan from 1746-82. However Highland regiments were being formed in the Government army and most of these adopted the kilt and a tartan as part of their uniform. From this martial background comes the style of today's Highland Dress.

When George IV visited Edinburgh in 1822, Full Highland Dress was worn by almost everybody including King George himself thanks to the efforts of Sir Walter Scott. The kilt became quite definitely the distinctive national dress of Scotland.

Lord Mungo Murray was the fifth son of the 2nd Earl of Atholl. He died young, in about 1700, during an attempt to found a Scottish colony in Panama. Nearly all references to him concern his military role in the North of Scotland in the 1680s and 1690s. The painting is often considered the first instance of tartan in art.

 
 
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